The importance of the body in the shots of Anouk Brouwer - January 2021.
The only universal language is that of the body. If a person tells us in a language we don’t know that they’re sad, we’re not able to, but if they’re crying we immediately understand their mood.
Our body is a very powerful means to convey thoughts, emotions and feelings, we just need to know how to use it. Anouk Brouwer certainly knows how to do it, and her photographs are undeniable proof of this.
“信頼” – A series about ’Trust’ - January 2021.
Sometimes it is not an easy road to trust someone. Because first you need to trust yourself. This series of photos by Netherlands born, currently Tokyo based photographer Anouk Brouwer starring muse Kana Kitty shows how liberating it can be to surrender to someone and simply trust.
““信頼”, the Japanese word for trust, honors my relationship with Kana and all she taught me. Our paths crossed at an interesting point in both of our lives in 2020 and within months she was able to steal my heart and give it back in a different shape, changed forever. I have been struck by her fluency in the languages of courage, imagination, sensibility and trust. Trust in herself. Trust in her body. Trust in me.”
"Rebirth" Anouk Brouwer - December 2020.
Free-flowing energy and careless experimentation of self-expression are all part of the pain and beauty of growing up. Photographer, Anouk Brouwer, captures the essence of this step to adulthood, where the innocence and vitality chaotically swirl in the heart of youth. Model, Toushi Ishii, sets his energy free out in nature, revealing the vulnerable yet alluring transition in life, full of curiosity to tirelessly conquer and challenge the norm of the society that surrounds him. Makeup+Hair by Mutsumi Miyazaki and all clothing by Nana Miyashita.
Feels Like We Only Go Backwards By Anouk Brouwer - December 2020
A KALTBLUT EXCLUSIVE. Creative director Anouk Brouwer teamed up with models Yudai Tateishi and Koshiro Tsuchiya to create ‘Feels Like We Only Go Backwards’. Makeup and hair was done by Mayuko Okada. ‘Feels Like We Only Go Backwards’ is an ode to a previous love and visualizes the discomfort, but acceptance of missing someone. The physical bodily pain has transformed into gratitude. This story is my way of saying “thank you for all you taught me. You live inside of me”.
Anouk Brouwer 'Irrationality' - November 2020
It’s a pleasure to introduce a new contributor, Tokyo creative Anouk Brouwer. Anouk‘s concepts are cooked up from inner thoughts & experiences, then translated through the bodies of her subjects. Treating the human body as an instrument with its own individual language results in honest images. It is her aim to trigger the imagination of the viewer & to inspire people to shape an unparalleled individual opinion. Today she presents her debut series entitled ‘Irrationality’.
“On a sunny day in Tokyo, four artists came together to visualize the story of Solène & Lin. This series ‘Irrationality’ is inspired by the story of the two artists who fell in love without speaking each other’s language. Their bodies became a tool of communication when words fell short. Living in a world in which everything is “explained” through rationalities, love is the only thing that cannot be defined, it is felt. It is totally, completely & amazingly irrational.”
When It Rains... - September 2020
"The process of gathering inner spiritual light is what makes us feel alive. A story shot in Tokyo by Anouk Brouwer."
Editorial: Alter Ego - July 2020
"Artist and photographer Anouk Brouwer shoots an incredible story inspired by the streets of Tokyo and the complex and fascinating Japanese culture. In this editorial, Anouk challenges gender norms and its unwritten rules of self-expression and self-acceptance. Styled by Yuki Yoshida. Hair & make-up by Mayuko Okada. Model Hyo Kagou.
THE QUEST - July 2020
"This series, ‘The Quest’, expresses curiosity and illustrates the importance of questions. This story focuses on the following of ones instinct and the many emotions that can arise when we start questioning ourselves, all visible through the human body.
Coming to Japan by myself during times of a global pandemic was an experience fueled by questioning myself constantly; an experience I captured through the lens."
Anouk Brouwer Seijakusei - June 2020
Netherland photographer Anouk Brouwer & her team meet up on a hot & humid day in Tokyo – four women from four different continents unified with the purpose of creation.
“With vulnerability as the main theme, we spoke about what it means for us to let our guards down, what we fear exposing to the outside world & about the differences between physical & emotional exposure. Topics of racism, body positivity, judging other women & self-acceptance arose. This day was immensely empowering as we all gave each other space. Even if we could not understand, we listened, learned & loved.”
Interview with Filmmaker Anouk Brouwer - April 2020
"With this film I wanted to express my love for body motion and the different messages our instrument can send across. I wanted to visualise the power of the way we move our body in this complicated world. The moving body offers an unrelenting dialogue.
Overall, I wanted to express that without words, we can communicate everything. I am always focused on discovering innovative ways to look at the world around me, and I see that we, as the human race, tend to focus on what differentiates us from each other. I believe that body language can bring us back together."
Director Biography - December 2019
"Anouk Brouwer is a conceptual filmmaker at the start of her career as a director, seeking to create visual artworks with maximum abstraction, triggering the imagination of the viewer; a permanent quest to leave Earth as it is and reconnect with one’s true inner fantasy."
Body Language by Anouk Brouwer - October 2019
"The experimental short film consists of three sceneries, in which the protagonist finds herself in three different environments, ultimately affecting the manner in which she moves her body."